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Having heard these songs, I am sure that in the coming days that this art form, along with many others, will sharpen and become effective mediums of protest.
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Not that other incidents or news pieces have not made me think so, but the manner in which a single song is able to bring an individual’s rapt attention towards a particular societal predicament, in this case our electorally obsessed politicians with inept skills in policy making, is something we should respect.Īnother song from the movie, Jingostan, portrays the acidic hyper-national rhetoric accurately – and even takes pot shots at it whilst doing so. With the use of just eight lines and a catchy beat, one verse of this song got me thinking about how dysfunctional our democracy might just have become. For example, here is just one stanza from the song Azadi: Whether it be the spread of communal hatred, casteism, rampant corruption or pollution, the lyrics of these songs leave no stone unturned at bringing the attention of the listener to these wrongs with cold piercing lyrics. Songs such as Azadi, Jingostan and Apana time ayega act as a potent representation of the maladies that our society is plagued with. These songs prove to all that Indian rap is not only based on hollow themes such as wealth, ‘cool’ quotients and women, a theme which reeks of wonton misogyny, but is now slowly becoming what it is truly supposed to be – a medium to express the voices of a few people. Kudos to these great artists for having created an impressive work of creative collaboration.Īll this of course made the visit to cinema worthwhile, but the aspect that really resonated with me the most were the lyrics of the songs. Something to note is that most songs were made before the movie, and have been around for a while.
#Azadi gully boy lyrics movie
Songs from the movie by Dub Sharma, Divine and Naezy to name a few, have captivated its audiences. Whilst such hip-hop, which avoids the easy road of meaningless lyrics and gaudy productions was always present, “Gully Boy” has done a great job in publicising such music. Yet, what stood out the most for me was the brilliant music of the movie. Zoya Akhtar has shown that long gone are the days of reality and reel belonging to different paradigms – India has the appetite to see true reflections of itself, and the box office success of this film goes to prove this. So, there I was sitting and watching Emcee Sher and Gully Boy, and my doubts about Bollywood, Indian rap and for that matter, Ranveer Singh’s sanity were all turned into shreds. Sadly, due to the manner in which a majority of Bollywood movies have been made in the recent past, I am a great sceptic of movies being churned out by our industry – I wish this was not the case though. Last weekend, a bunch of my friends and I made the fortunate decision of watching Zoya Akhtar’s “Gully Boy”.